![]() ![]() “When we were making rules for this world we created, we decided that it would be better to take things away rather than add them. Barrett, and Opening Ceremony co-founder Humberto Leon when designing the look of Her. “We really don’t need to show it’s the future by putting people in crazy-shaped hats or epaulets,” explains Casey Storm, Jonze’s longtime costume designer, who huddled with artists like Jonze, production designer K.K. We could give ourselves a little more license.”Ĭostume designer Casey Storm talking to Vulture: I mean, it’s a sassy, foul-mouthed creature. It’s probably more design than we have in anything else. And then he used a voice - it’s Spike’s voice, actually - and we put it together that way. “Spike had this drawing of an alien child, and then we had this idea of a dough boy with these minimal features, and then we found an animator to do it. Production designer KK Barrett talking to the L.A. I actually want to make that video game because I have a whole premise for it.” Like an entire story about going inside the psyche of aliens that had invaded the Earth. “I always end up overwriting because I get so excited about an idea, so that video game had a way, way more complicated story. (Fingers crossed.)ĭirector Spike Jonze talking to Fast Company : It’s a nice way to pass time until someone invents an AI girlfriend/boyfriend for you. Read on and learn about that immersive video game, those high-waisted pants, why the color blue was banned, and much more. Now that Her has opened wide (and will, presumably, be nominated for at least a few Oscars tomorrow morning), we knew audiences would be interested in all the production intricacies, so we gathered the best articles detailing how Jonze and his crew went about putting together the movie. Ever since Spike Jonze’s Her premiered at last fall’s New York Film Festival, one of the things that critics have praised the most is the film’s subtle portrayal of the future. ![]()
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